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.claude/skills/video-script-production/references/stakes-and-load.md
Stakes and load: how to use data without losing the viewer: Data is the value of the video. Unanchored data is the cost. The rule: a number is spoken only after the viewer has a reason to want it, and only in a form that carries meaning.
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Stakes and load: how to use data without losing the viewer
Data is the value of the video. Unanchored data is the cost. The rule: a number is spoken only after the viewer has a reason to want it, and only in a form that carries meaning.
The stake-before-data rule
For every spoken figure ask: what is the viewer waiting to find out when this lands? If the answer is "nothing yet", move the figure after a question, a prediction, a person or a contrast. Four ways to give a number meaning, in the order to try them:
- Prediction, then test. State what the viewer should expect to see, then show the number as the result. ("Sales barely move, profit disappears. Check the year to March 2008.")
- Contrast pair. Two figures that mean something only against each other: before/after, claimed/worth, plan/outcome, said/did. ("December: 'well funded'. June: asking for more time.")
- Human scale. Convert to per-person, per-rupee or per-year terms and label it as derived. ("About 7 paise for every rupee claimed.") Never invent an everyday comparison you cannot compute.
- A person. Put a named or concrete person on the receiving end. ("Workers say salaries began arriving late.")
A naked number (no prediction, no pair, no scale, no person) is a defect. Cut it, move it to a graphic, or anchor it.
Number tiers
| Tier | Rule | Budget |
|---|---|---|
| Hero | The figure the argument turns on. Needs a declared stake line before it and a comparator with it. Spoken once, clearly, then reused by name ("the seven paise") not by repeating digits. | at most 7 per video |
| Support | Spoken only attached to a hero ("down about 5 percent"). Rounded. | fits in the load window |
| Drop | Everything else. Goes on screen, in the description, or in the ledger. Not spoken. | unlimited, off-voice |
Dates: a date that makes a scene or a deadline is part of the story and counts as a hero or support figure only if the viewer must remember it (the bond date does). Plain datelines do not count.
Load windows
- No more than four quantities in any 30 seconds (Cowan's four chunks; each figure is a chunk, plus the thing it describes).
- No more than one new concept per beat. A concept is a term, mechanism or named entity the viewer has to carry forward.
- Hook: at most one figure.
- Overall: report quantities per minute; investigate anything over 5.
Heavy numeric stretches go early in a beat after the stake line, and end on a plain-language sentence ("That is what a treadmill looks like from the inside."). The viewer gets the meaning even if they drop the digits.
Jargon policy
Every term of art must be (a) avoided, or (b) glossed in plain words at its first use, by analogy where possible. Declare each in jargon in the chain; the linter checks that a gloss quote sits at the first use. Prefer the analogy to the definition:
| Term | Gloss that works |
|---|---|
| Zero-coupon bond | "For about five years you owe nothing. Then everything is due on one day." |
| Corporate debt restructuring | "A formal process where lenders and the company renegotiate the loans." |
| Recast | "Ask bondholders for new terms." |
| Insolvency / liquidation | "A court process meant to find a buyer / the company is sold off in pieces." |
| Liquidation value | "What the pieces were estimated to be worth if sold off." |
Avoid acronyms (FCCB, CDR, IBC, NCLT) in voice-over unless the viewer will meet them in the wild. Put them in the on-screen text and the ledger.
Segmenting and signaling (Mayer)
- Segment: one idea per beat, and the beat ends in a full stop, not a trailing list.
- Signal: tell the viewer which number matters ("the number to hold on to"). Use a name for the central idea ("the treadmill") and call it by that name each time, rather than varying the wording.
- Cut for coherence: if a fact is interesting but not on the causal chain (a second investor's exit, a political connection nobody could prove, a legal detail about notice periods), it goes in the ledger, not the script. The test is the swap test in
beat-contract.md: if the chain does not need it, it is load.
Using sources honestly under load
Citing a source is a cost (a few words). Spend it where a claim could be doubted: the quotes, the arithmetic ("less than a quarter"), the contested numbers. Mark derived figures ("I divided one by the other"). Never trade a verified claim for a snappier unverified one.
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# Stakes and load: how to use data without losing the viewer
Data is the value of the video. Unanchored data is the cost. The rule: **a number is spoken only after the viewer has a reason to want it, and only in a form that carries meaning.**
## The stake-before-data rule
For every spoken figure ask: *what is the viewer waiting to find out when this lands?* If the answer is "nothing yet", move the figure after a question, a prediction, a person or a contrast. Four ways to give a number meaning, in the order to try them:
1. **Prediction, then test.** State what the viewer should expect to see, then show the number as the result. ("Sales barely move, profit disappears. Check the year to March 2008.")
2. **Contrast pair.** Two figures that mean something only against each other: before/after, claimed/worth, plan/outcome, said/did. ("December: 'well funded'. June: asking for more time.")
3. **Human scale.** Convert to per-person, per-rupee or per-year terms and label it as derived. ("About 7 paise for every rupee claimed.") Never invent an everyday comparison you cannot compute.
4. **A person.** Put a named or concrete person on the receiving end. ("Workers say salaries began arriving late.")
A naked number (no prediction, no pair, no scale, no person) is a defect. Cut it, move it to a graphic, or anchor it.
## Number tiers
| Tier | Rule | Budget |
|---|---|---|
| **Hero** | The figure the argument turns on. Needs a declared stake line *before* it and a comparator with it. Spoken once, clearly, then reused by name ("the seven paise") not by repeating digits. | at most 7 per video |
| **Support** | Spoken only attached to a hero ("down about 5 percent"). Rounded. | fits in the load window |
| **Drop** | Everything else. Goes on screen, in the description, or in the ledger. Not spoken. | unlimited, off-voice |
Dates: a date that makes a scene or a deadline is part of the story and counts as a hero or support figure only if the viewer must remember it (the bond date does). Plain datelines do not count.
## Load windows
- **No more than four quantities in any 30 seconds** (Cowan's four chunks; each figure is a chunk, plus the thing it describes).
- **No more than one new concept per beat.** A concept is a term, mechanism or named entity the viewer has to carry forward.
- **Hook: at most one figure.**
- **Overall:** report quantities per minute; investigate anything over 5.
Heavy numeric stretches go **early in a beat after the stake line, and end on a plain-language sentence** ("That is what a treadmill looks like from the inside."). The viewer gets the meaning even if they drop the digits.
## Jargon policy
Every term of art must be (a) avoided, or (b) glossed in plain words **at its first use**, by analogy where possible. Declare each in `jargon` in the chain; the linter checks that a gloss quote sits at the first use. Prefer the analogy to the definition:
| Term | Gloss that works |
|---|---|
| Zero-coupon bond | "For about five years you owe nothing. Then everything is due on one day." |
| Corporate debt restructuring | "A formal process where lenders and the company renegotiate the loans." |
| Recast | "Ask bondholders for new terms." |
| Insolvency / liquidation | "A court process meant to find a buyer / the company is sold off in pieces." |
| Liquidation value | "What the pieces were estimated to be worth if sold off." |
Avoid acronyms (FCCB, CDR, IBC, NCLT) in voice-over unless the viewer will meet them in the wild. Put them in the on-screen text and the ledger.
## Segmenting and signaling (Mayer)
- **Segment**: one idea per beat, and the beat ends in a full stop, not a trailing list.
- **Signal**: tell the viewer which number matters ("the number to hold on to"). Use a name for the central idea ("the treadmill") and call it by that name each time, rather than varying the wording.
- **Cut for coherence**: if a fact is interesting but not on the causal chain (a second investor's exit, a political connection nobody could prove, a legal detail about notice periods), it goes in the ledger, not the script. The test is the swap test in `beat-contract.md`: if the chain does not need it, it is load.
## Using sources honestly under load
Citing a source is a cost (a few words). Spend it where a claim could be doubted: the quotes, the arithmetic ("less than a quarter"), the contested numbers. Mark derived figures ("I divided one by the other"). Never trade a verified claim for a snappier unverified one.
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